The Latest

Oct 2, 2013 / 49 notes
Oct 2, 2013 / 7,810 notes

(via oh-totoro)

Oct 2, 2013 / 25 notes
Oct 2, 2013 / 1,478 notes
Pleasantville
Oct 2, 2013 / 9 notes

Pleasantville

Oct 2, 2013 / 4 notes
Oct 2, 2013 / 36 notes
Oct 2, 2013 / 6,926 notes
Oct 2, 2013 / 41 notes
schrodingerandthecat:


“For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes. All night the saxophones wailed the hopeless comment o the ‘Beale Street Blues’ while a hundred pairs of golden and silver slippers shuffled the shiny dust. At the grey tea hour there were always rooms that throbbed incessantly with this low, sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor.” 
Jun 2, 2013 / 2 notes

schrodingerandthecat:

“For Daisy was young and her artificial world was redolent of orchids and pleasant, cheerful snobbery and orchestras which set the rhythm of the year, summing up the sadness and suggestiveness of life in new tunes. All night the saxophones wailed the hopeless comment o the ‘Beale Street Blues’ while a hundred pairs of golden and silver slippers shuffled the shiny dust. At the grey tea hour there were always rooms that throbbed incessantly with this low, sweet fever, while fresh faces drifted here and there like rose petals blown by the sad horns around the floor.” 

Jun 2, 2013 / 7,068 notes

Director Martin Scorsese claims that the most important shot in the movie is when Bickle is on the phone trying to get another date with Betsy. The camera moves to the side slowly and pans down the long, empty hallway next to Bickle, as if to suggest that the phone conversation is too painful and pathetic to bear. 
Jun 2, 2013 / 4,988 notes

Director Martin Scorsese claims that the most important shot in the movie is when Bickle is on the phone trying to get another date with Betsy. The camera moves to the side slowly and pans down the long, empty hallway next to Bickle, as if to suggest that the phone conversation is too painful and pathetic to bear. 

Jun 2, 2013 / 41 notes

grannyhall:

Revolutionary Road (dir. Sam Mendes, 2008)

(via grannyhall-deactivated20131011)

Jun 2, 2013 / 95,325 notes
Jun 2, 2013 / 96 notes